I think it should be a slow push-in shot from a wide-shot overlooking the mall, the restaurant, the parking lot, and a little bit of Sunrise Boulevard.

A slow zoom-in with the camera staying in place while the lens tightens around the full frame bringing into focus the front door and palm trees.

It’s as it stands now, boarded up and abandoned, we’ll start the shot in stark black and white, transitioning into a vintage color from the past.

We’ll eventually wanna hit a rack focus with the full frame staying the same, but the focus shifts to those horrible white tusk door handles.

At the doors, the vintage color turns natural light with a Black Pro-Mist diffusion filter as the shot hits the doors, which open to Jake walking in.

Use Gimme Shelter from my old Let It Bleed record for Jake’s entrance pulling into the restaurant, being sure to point out a few animal frames.